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CHARACTER INFORMATION
THE MECHANIC
<spoiler>
[/img]"http://i.imgur.com/aciMEXr.jpg" style="max-width:100%;]
<Name>
Ortala Vidrad, a.e. Buddy
Rights to public use of the ‘Buddy’ identity were disputed by Terralaffs Media until dissolution thereof.
<Species>
Buddy is a native of the N’Noran imperium, recently granted full TA member status.
The N’Noran are sapient quadruped felinoids, visually distinguishable from Terra-native felis cattus by the second tail and telekinetic ability.
<Background>
Born the son of a third-ring trade-aristocrat, Vidrad was not (by the standards of the N’Noran court) a child of privilege. He was accorded good prospects of advancement by marriage, however, and may have eventually achieved the second ring were it not for a childhood accident.
Colloquially known as a ‘blowback’, Ortala lost control of a TK manifestation, which then released its force within his own brain, causing immediate concussion and near-fatal swelling. His survival was due to the fortunate chance of the blowback breaking out a portion of his skull, allowing the pressure to be relieved. The reconstruction left him with slight facial deformities and synthetic bone replacements.
In the image-obsessed court of empress Gurat VII, the result was arguably worse than death. Unable to secure employment and with marriage impossible, the Vidrad heir took advantage of early contacts with the TA to defect to the Terran sphere of influence, initially posing as a ship’s cat. When discovered, he paid his passage with minor maintenance work- his small frame allowing him easy access to what would ordinarily be drone-maintained service ducts.
While drowning his sorrow in a station bar, Ortala was approached by then-vice-president John John Rowland of Gigant Media Ventures (later Terralaffs). Rowland was attempting to secure new talent for a series of adver-comedies focused on more ‘exotic’ species within the Terran Alliance. Ultimately, this push of xeno-programming resulted in Big Wife, a N’sazz romantic comedy, The Expert, a Jobari-focused workplace romp, and Everybuddy’s Buddy, starring Ortala himself.
Everybuddy’s Buddy was set on a small mining station, and focused on two aspects- sexual tension between the young and athletic crewmates, and their interactions with ship’s cat Buddy. Each member of the cast initially believes they are the only one aware Buddy can speak, and hijinks ensue as they attempt to conceal this fact from each other to maintain access to their confidant. At the end of each episode, Buddy delivers a sarcastic moral homily highlighting the crew’s foibles.
The show was critically vilified but a financial success, with the character of Buddy gaining greater centrality as more and more market data indicated he was the linchpin of viewer engagement. Buddy merchandise, in-series advertising contracts, and guest appearances on other programs (often delivering his signature catchphrase “I’m not sure you’ve got a plan”) proved lucrative. Rowland himself, as architect of the Buddy phenomenon, secured the post of president and re-branded the company as Terralaffs, focusing on comedies aimed at the Terran market.
The gravy train left the station and then derailed with the release of Everybuddy’s fourth season, which revealed that Buddy was in fact a manifestation of a galactic hive-mind, and capable of granting wishes. Viewer counts began dropping after just two episodes, and attempts to refocus the show by claiming the beginning scripts were an extended dream sequence only accelerated the decline. The season’s revised final arc (a tense series of stories about a viral outbreak among the crew) was never filmed, and the studio itself was forced to cancel numerous upcoming projects whose funding would have come from ‘buddy money’.
Out of work and faced with a rapidly dwindling bank balance resulting from a combination of poor contract negotiation and excess, Ortala (now living as the Buddy character continually) attempted to find outside work. This resulted in prompt legal action from TerraLaffs, who owned the rights to the character, image, and voice of Buddy. What initially seemed like a simple case was complicated when a member of the defense team argued that, as Vidrad’s natural appearance, voice (via translator module), and behavior were closely reproduced in the character of buddy, ownership of those traits constituted Unlawful Enslavement under Alliance law. The judge concurred, and the damages and legal fees dealt Terralaffs its deathblow.
Since officially achieving independence and personhood, Ortala Vidrad has kept a scrupulously low profile, taking local advertising jobs and maintenance work. He has filed a civil protection order against John John Rowland after several incidents of attempted organic damage, and has been the subject of three extradition requests from the N’Noran imperium to respond to charges of Imperiling Dignity. As the Alliance has no equivalent of this statute and the punishment is death, these requests have heretofore been denied. Persistent rumors that one or both parties (the former Terralaffs president and the Empress) have pursued extralegal avenues of redress cannot be confirmed at this time.
http%3A//soundcloud.com/andreus-gilroy/buddys-catchphrase
</spoiler>
THE AI
<spoiler>
<Background>
The TAF New Weapons Branch is a prestigious assignment. It draws its members from the sharpest assessors of military intelligence, the brightest bulbs of weapons design. Part of its remit, however, is testing- and to test a weapon, you need to shoot someone.
The usual procedure in this regard is known as a snipe hunt.
One participant, the titular snipe, is given the following:
Coordinates to a cataloged, but unexplored, stellar system.
Five days time to prepare.
A new weapon and its manual.
Sleeved in a military-grade drone body, they spend the five days reading a manual written by engineers and researchers on their lunch breaks. Calculating angles of attack, possibilities of ambush. Probabilities of emergence.
At the end of the five days, a small AI flotilla of random composition, conventionally armed, emerges from FTL somewhere in the system. The snipe's assignment is to destroy or disable as many ships as possible.
At the end of the engagement, several AIs awaken in a New Weapons facility, missing five days of memories. How many days are forgotten is a mark of distinction, in the department. It is difficult and dangerous work, with a high volume of transfer requests and counseling hours. But at least you get all the new guns first.
</spoiler>
THE SHIP
<spoiler>
THE ONDINE
TA Registry LT-1304M
Drive Systems: Tadao-Murcheson Locust IX, Spinnaker VI Microrepulsor Array
Hull: Garado Yards Naiad (Modified)
Weapons Systems: Echidna Drone Bay (Emergency Comm Drones), Ursa IV Gravitic Projector Blisters
Additional Systems: Fractaline Hull Coating, Internal Emissions Sink
Registered Pilot: Synthetic Intelligence Registry 675231MC A.E. Lepus, A.E. Lethe, A.E. Rabbit
Registered Crew: N’Noran Ortala Vidrad, A.E. Buddy
Original Registrant: Jovum Garrant, CEO Garrant Mercantile
The majority of spaceships are machines. They transport, they fight, they transmit and record; their shapes and outlines are dictated by optimal placement of fuel tanks, gunnery ports, and thrusters.
The Ondine is a work of art that spits in practicality’s eye; it is designed to lead the eye, ensnare the cupidity of the watcher, and then vanish like the morning dew. The central hull, seen from above, is primarily a classic teardrop shape tapering to the massive drive spike at the stern. The fore, however, has a pointed ‘underbite’, resembling the deck of an ancient seafaring vessel. The cockpit is a needlessly massive expanse of glass, flecked with gold to increase UV protection for the pilot.
On either side of the central hull, two ovoid outriggers flare like fins, housing the grav-projectors and almost nothing else (due to the massively oversized power coils for same).
While the ship’s sleek construction is certainly unusual, its most noticeable feature is the hull, which shimmers like oil over water in shades of cobalt and cerulean. The stealth-enhancing fractal coating is underlain with tessellations of waves, leaping fish, and beckoning water-sprites. The edges of hatches and mounting points are picked out in gold plate.
While the interior presently lacks its opulent furnishing, marble friezes and glassine tile have been left intact; the whole looks as much like a temple to Poseidon as a working starship, and the control systems are a mass of brass and ivory (supplementing the entirely practical computer-controlled nature of the thing).
</spoiler>
THE MECHANIC
<spoiler>
[/img]"http://i.imgur.com/aciMEXr.jpg" style="max-width:100%;]
<Name>
Ortala Vidrad, a.e. Buddy
Rights to public use of the ‘Buddy’ identity were disputed by Terralaffs Media until dissolution thereof.
<Species>
Buddy is a native of the N’Noran imperium, recently granted full TA member status.
The N’Noran are sapient quadruped felinoids, visually distinguishable from Terra-native felis cattus by the second tail and telekinetic ability.
<Background>
Born the son of a third-ring trade-aristocrat, Vidrad was not (by the standards of the N’Noran court) a child of privilege. He was accorded good prospects of advancement by marriage, however, and may have eventually achieved the second ring were it not for a childhood accident.
Colloquially known as a ‘blowback’, Ortala lost control of a TK manifestation, which then released its force within his own brain, causing immediate concussion and near-fatal swelling. His survival was due to the fortunate chance of the blowback breaking out a portion of his skull, allowing the pressure to be relieved. The reconstruction left him with slight facial deformities and synthetic bone replacements.
In the image-obsessed court of empress Gurat VII, the result was arguably worse than death. Unable to secure employment and with marriage impossible, the Vidrad heir took advantage of early contacts with the TA to defect to the Terran sphere of influence, initially posing as a ship’s cat. When discovered, he paid his passage with minor maintenance work- his small frame allowing him easy access to what would ordinarily be drone-maintained service ducts.
While drowning his sorrow in a station bar, Ortala was approached by then-vice-president John John Rowland of Gigant Media Ventures (later Terralaffs). Rowland was attempting to secure new talent for a series of adver-comedies focused on more ‘exotic’ species within the Terran Alliance. Ultimately, this push of xeno-programming resulted in Big Wife, a N’sazz romantic comedy, The Expert, a Jobari-focused workplace romp, and Everybuddy’s Buddy, starring Ortala himself.
Everybuddy’s Buddy was set on a small mining station, and focused on two aspects- sexual tension between the young and athletic crewmates, and their interactions with ship’s cat Buddy. Each member of the cast initially believes they are the only one aware Buddy can speak, and hijinks ensue as they attempt to conceal this fact from each other to maintain access to their confidant. At the end of each episode, Buddy delivers a sarcastic moral homily highlighting the crew’s foibles.
The show was critically vilified but a financial success, with the character of Buddy gaining greater centrality as more and more market data indicated he was the linchpin of viewer engagement. Buddy merchandise, in-series advertising contracts, and guest appearances on other programs (often delivering his signature catchphrase “I’m not sure you’ve got a plan”) proved lucrative. Rowland himself, as architect of the Buddy phenomenon, secured the post of president and re-branded the company as Terralaffs, focusing on comedies aimed at the Terran market.
The gravy train left the station and then derailed with the release of Everybuddy’s fourth season, which revealed that Buddy was in fact a manifestation of a galactic hive-mind, and capable of granting wishes. Viewer counts began dropping after just two episodes, and attempts to refocus the show by claiming the beginning scripts were an extended dream sequence only accelerated the decline. The season’s revised final arc (a tense series of stories about a viral outbreak among the crew) was never filmed, and the studio itself was forced to cancel numerous upcoming projects whose funding would have come from ‘buddy money’.
Out of work and faced with a rapidly dwindling bank balance resulting from a combination of poor contract negotiation and excess, Ortala (now living as the Buddy character continually) attempted to find outside work. This resulted in prompt legal action from TerraLaffs, who owned the rights to the character, image, and voice of Buddy. What initially seemed like a simple case was complicated when a member of the defense team argued that, as Vidrad’s natural appearance, voice (via translator module), and behavior were closely reproduced in the character of buddy, ownership of those traits constituted Unlawful Enslavement under Alliance law. The judge concurred, and the damages and legal fees dealt Terralaffs its deathblow.
Since officially achieving independence and personhood, Ortala Vidrad has kept a scrupulously low profile, taking local advertising jobs and maintenance work. He has filed a civil protection order against John John Rowland after several incidents of attempted organic damage, and has been the subject of three extradition requests from the N’Noran imperium to respond to charges of Imperiling Dignity. As the Alliance has no equivalent of this statute and the punishment is death, these requests have heretofore been denied. Persistent rumors that one or both parties (the former Terralaffs president and the Empress) have pursued extralegal avenues of redress cannot be confirmed at this time.
http%3A//soundcloud.com/andreus-gilroy/buddys-catchphrase
</spoiler>
THE AI
<spoiler>
<Background>
The TAF New Weapons Branch is a prestigious assignment. It draws its members from the sharpest assessors of military intelligence, the brightest bulbs of weapons design. Part of its remit, however, is testing- and to test a weapon, you need to shoot someone.
The usual procedure in this regard is known as a snipe hunt.
One participant, the titular snipe, is given the following:
Coordinates to a cataloged, but unexplored, stellar system.
Five days time to prepare.
A new weapon and its manual.
Sleeved in a military-grade drone body, they spend the five days reading a manual written by engineers and researchers on their lunch breaks. Calculating angles of attack, possibilities of ambush. Probabilities of emergence.
At the end of the five days, a small AI flotilla of random composition, conventionally armed, emerges from FTL somewhere in the system. The snipe's assignment is to destroy or disable as many ships as possible.
At the end of the engagement, several AIs awaken in a New Weapons facility, missing five days of memories. How many days are forgotten is a mark of distinction, in the department. It is difficult and dangerous work, with a high volume of transfer requests and counseling hours. But at least you get all the new guns first.
</spoiler>
THE SHIP
<spoiler>
THE ONDINE
TA Registry LT-1304M
Drive Systems: Tadao-Murcheson Locust IX, Spinnaker VI Microrepulsor Array
Hull: Garado Yards Naiad (Modified)
Weapons Systems: Echidna Drone Bay (Emergency Comm Drones), Ursa IV Gravitic Projector Blisters
Additional Systems: Fractaline Hull Coating, Internal Emissions Sink
Registered Pilot: Synthetic Intelligence Registry 675231MC A.E. Lepus, A.E. Lethe, A.E. Rabbit
Registered Crew: N’Noran Ortala Vidrad, A.E. Buddy
Original Registrant: Jovum Garrant, CEO Garrant Mercantile
The majority of spaceships are machines. They transport, they fight, they transmit and record; their shapes and outlines are dictated by optimal placement of fuel tanks, gunnery ports, and thrusters.
The Ondine is a work of art that spits in practicality’s eye; it is designed to lead the eye, ensnare the cupidity of the watcher, and then vanish like the morning dew. The central hull, seen from above, is primarily a classic teardrop shape tapering to the massive drive spike at the stern. The fore, however, has a pointed ‘underbite’, resembling the deck of an ancient seafaring vessel. The cockpit is a needlessly massive expanse of glass, flecked with gold to increase UV protection for the pilot.
On either side of the central hull, two ovoid outriggers flare like fins, housing the grav-projectors and almost nothing else (due to the massively oversized power coils for same).
While the ship’s sleek construction is certainly unusual, its most noticeable feature is the hull, which shimmers like oil over water in shades of cobalt and cerulean. The stealth-enhancing fractal coating is underlain with tessellations of waves, leaping fish, and beckoning water-sprites. The edges of hatches and mounting points are picked out in gold plate.
While the interior presently lacks its opulent furnishing, marble friezes and glassine tile have been left intact; the whole looks as much like a temple to Poseidon as a working starship, and the control systems are a mass of brass and ivory (supplementing the entirely practical computer-controlled nature of the thing).
</spoiler>
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